Yes i said it. I eagerly waited for Jodha-Akbar’s music release. AR Rahman and Jawed Akhtar coming together for a mega period movie: a murid of good poetry and great music in film songs could not have asked for more. I hoped, the Lagan team complete with Ashutosh Gowariker as director, will recreate the magic. But no. the music does not touch my heart and lyrics disappoint. Not one song is hummable, not one line memorable. I listened the whole album to catch that one line, one bandhish, one imagery, that one Aha moment. All in vain. And no, I was not even comparing Jawed Akhtar with Shakeel Bundayuni and Jodha-Akbar with Mughale Azam. Jawed Akhtar at his best is all i hoped for.
The Khwajaji number has recieved high praise in music reviews I read. I love sufi songs but this is not in the league of the best. I will give it a low B. Rahman himself has been better in the past. Remember Piya Haji Ali from Fizaa. Talking about lyrics, Khwajaji’s lyrics is ordinary at best. Biased and opinionated all reviews are. But when talking about lyrics, our film reviewers are amazingly shallow. They follow a simple formula : If Jawed Akhtar or Guljar have penned lyrics, the lyrics are great. If Rahman has composed music, it is good. If it is not good, just wait, it will grow on you. Let me aks you a question: when is the last time you read a review that critiqued Jawed Saab’s poetry? I haven’t read one.
In the title I say Jawed Akhtar disappoints again. Again? When was the last time he disappointed me? Umrao Jaan Ada! Another period movie that afforded a rare opportunity for rich old world poetry. This time Jawed insisted on writing lyrics first rather than following the usual practice of pasting words to a readymade tune. Yet there is nothing in the lyrics. I do not remember one song, nor does anybody else whom I know. Again ab ke janam mohe bitiya na keejo was chosen for high praise in reviews. I found it completely lacking in subtlety and refinement–characteristic of good poetry and of the people, place and period depicted in that film. May be good for a bhojpuri film album but certainly for a film about a 19th century Lucknow courtesan.
Between the two, however, Jodha-Akbar is worse. Jawed’s poetry in Umrao Jaan was lacklusture; in Jodha-Akbar it lacks everything. Words seems to be pasted, songs lack in lyricality and they say nothing to me.
Is it so that Jawed Akhtar is a poet of modern sensibilities and he is at his best when he is writing about our times? He was rather ordinary (but not this bad) in Zubeidaa also. Yet I do not think this is a dair assessment. He is versatile. He was fabulous in Lagan and so too in Sardari Beghum, one of my favorite film albums. Huzoor itna hampe karam karte to achha tha, taghaful aap karte hain sitam karte to achha tha; More kanha jo aaye palat ke, Raah mein bichhi hain palkein aao were not chartbusters but there is amazing poetry in these songs. I hope we get to listen, read (yes i read film songs) and hum to new Jawed Akhtar gems very soon.